Calendar

Every participant will have a chance to undergo a diagnosis of her/his work-related personality traits and competencies. The diagnosis will cover test-testing and Development Center-type (DC) social-psychological competency assessment. Between the sessions, the participants will work in a peer-coaching format. Three workshops following DC will focus on setting developmental and career-related goals, including compiling a professional portfolio. The PCDP will conclude with a one-on-one session to enable converting the diagnostic and workshop elements into clear further development agenda for every participant.

Olaf
Żylicz

Every participant will have a chance to undergo a diagnosis of her/his work-related personality traits and competencies. The diagnosis will cover test-testing and Development Center-type (DC) social-psychological competency assessment. Between the sessions, the participants will work in a peer-coaching format. Three workshops following DC will focus on setting developmental and career-related goals, including compiling a professional portfolio. The PCDP will conclude with a one-on-one session to enable converting the diagnostic and workshop elements into clear further development agenda for every participant.

Olaf
Żylicz

This conference will explain the financing system in France, the possibilities of co-production, and through several concrete examples, will illustrate the difficulties, but also the advantages that international co-production faces.

Olivier
Catherin

Lecture about the role of Art Director in the Stop-Motion animation. The scope of their duties, broadly understood artistic settings and managing a creative team.

Francesca
Berlingieri Maxwell

‘When you are getting ready to undertake a great adventure, the Ordinary World knows somehow and clings to you.’ writes Christopher Vogler in The Writer's Journey: Mythic Structure , a legendary textbook on the structure of a movie script. In order to navigate efficiently through various film realities, however, it is enough to know the classic theory of storytelling. During the lecture, we will discuss various methods of constructing short and full-length stories as well as the constructional elements of series that distinguish them from other forms of storytelling. We'll talk about creating emotionally believable character arcs, the importance of clearly drawing goals, discovering character needs, the importance of conflict, tension and stakes for the drama of a story, the essence of transformation and ways to create new, wonderful worlds. During the lecture, we will learn about the classic elements of the script structure and we will discuss the basic elements influencing the building of tension and constructing the dramaturgy of the film image.

Anna
Bielak

The differences between full-length feature films, Children’s series, advertising/commercials & short film – Covering: Schedule, budgeting the structure of the team, where to start, the ongoing rhythm/pattern of daily life on the production and how to pace yourself and plan to get to the end and successfully deliver a project.

Simon
Quinn

Do you know how to present your own brand and how do others do it? What stands out among known personal brands actions? How to reach a potential customer? During this workshop participants are going to get familiar with available e-marketing channels and how to use them in the brand creation process. Take a look into strong personal brands-their strategy of online marketing and learn how to plan the communication of their own brand. We will also cover the first steps of online brand promotion.

Karol
Siódmiak

Tobias Fouracre will try and inform the students on how the world of Stop-motion works within the context of the advertising industry and how one can become a part of it. He will inform based on the varied experiences of myself and others whilst advising those interested on the differing paths one can take into this particular side of the industry.

Tobias
Fouracre

Agnieszka Kowalewska-Skowron will talk about ANIMARKT Stop Motion Forum- event that has been taking place regularly since 2016. The only event of its kind in the world focuses on the most important problems and challenges associated with the production of stop motion animation.

Agnieszka
Kowalewska-Skowron

We would be looking at markets calendar that mark the potential progress of your project, idea and relationship, seeing the bigger picture of what happens where and what we can do to participate and benefit.

Jakub
Karwowski

Any process of the film is the most important. But development is the foundation of the project and the phase where you either get a chance to make the film or not. We will look at the presentation package in detail and with examples see how the communication tool that allows a film to get into production is structured and developed alongside the project.

Ole
Wendorff-Ostergaard

Every participant will have a chance to undergo a diagnosis of her/his work-related personality traits and competencies. The diagnosis will cover test-testing and Development Center-type (DC) social-psychological competency assessment. Between the sessions, the participants will work in a peer-coaching format. Three workshops following DC will focus on setting developmental and career-related goals, including compiling a professional portfolio. The PCDP will conclude with a one-on-one session to enable converting the diagnostic and workshop elements into clear further development agenda for every participant.

Olaf
Żylicz

This lecture will give an overview of the modern animation market and how it operates; paying particular attention to the stop-motion industry. It will explore the various routes to market – from commercials to shorts and features – and where to pitch them. Additionally, we will look at the current state of the industry, including: what projects are in production, where the majority are produced and why certain markets absorb more workers than others. We will conclude with advice on how to stay up to date with stop-motion opportunities and market news.

Aaron
Wood

Masterclass about Olivier Catherins background and what led him to develop a different way of conceiving his work as a producer. Olivier Catherin will explain how he works, how he chooses his projects, and how he function in his relationships with authors and production companies.

Olivier
Catherin

Discussion with Christophe Erbes about the animation industry and networking.

Christophe
Erbes

A journey to different kinds of creative processes of the short and series of the director, with tips and twists that helped to arrive at a personal vision.

Juan
Pablo Zaramella

During the lecture I will start by explaining my background and then I will show photos of different types of puppets from films I have worked on and detail the process. Students will be able to intervene and ask questions at any time. If there is time left, students who have specific issues by building they puppets can take the parts they already did and show me the problems they encountered and we can discuss them

Christine
Polis