Calendar

Every participant will have a chance to undergo a diagnosis of her/his work-related personality traits and competencies. The diagnosis will cover test-testing and Development Center-type (DC) social-psychological competency assessment. Between the sessions, the participants will work in a peer-coaching format. Three workshops following DC will focus on setting developmental and career-related goals, including compiling a professional portfolio. The PCDP will conclude with a one-on-one session to enable converting the diagnostic and workshop elements into clear further development agenda for every participant.

Olaf
Żylicz

Every participant will have a chance to undergo a diagnosis of her/his work-related personality traits and competencies. The diagnosis will cover test-testing and Development Center-type (DC) social-psychological competency assessment. Between the sessions, the participants will work in a peer-coaching format. Three workshops following DC will focus on setting developmental and career-related goals, including compiling a professional portfolio. The PCDP will conclude with a one-on-one session to enable converting the diagnostic and workshop elements into clear further development agenda for every participant.

Olaf
Żylicz

This conference will explain the financing system in France, the possibilities of co-production, and through several concrete examples, will illustrate the difficulties, but also the advantages that international co-production faces.

Olivier
Catherin

Lecture about the role of Art Director in the Stop-Motion animation. The scope of their duties, broadly understood artistic settings and managing a creative team.

Francesca
Berlingieri Maxwell

‘When you are getting ready to undertake a great adventure, the Ordinary World knows somehow and clings to you.’ writes Christopher Vogler in The Writer's Journey: Mythic Structure , a legendary textbook on the structure of a movie script. In order to navigate efficiently through various film realities, however, it is enough to know the classic theory of storytelling. During the lecture, we will discuss various methods of constructing short and full-length stories as well as the constructional elements of series that distinguish them from other forms of storytelling. We'll talk about creating emotionally believable character arcs, the importance of clearly drawing goals, discovering character needs, the importance of conflict, tension and stakes for the drama of a story, the essence of transformation and ways to create new, wonderful worlds. During the lecture, we will learn about the classic elements of the script structure and we will discuss the basic elements influencing the building of tension and constructing the dramaturgy of the film image.

Anna
Bielak

The differences between full-length feature films, Children’s series, advertising/commercials & short film – Covering: Schedule, budgeting the structure of the team, where to start, the ongoing rhythm/pattern of daily life on the production and how to pace yourself and plan to get to the end and successfully deliver a project.

Simon
Quinn

Do you know how to present your own brand and how do others do it? What stands out among known personal brands actions? How to reach a potential customer? During this workshop participants are going to get familiar with available e-marketing channels and how to use them in the brand creation process. Take a look into strong personal brands-their strategy of online marketing and learn how to plan the communication of their own brand. We will also cover the first steps of online brand promotion.

Karol
Siódmiak

Tobias Fouracre will try and inform the students on how the world of Stop-motion works within the context of the advertising industry and how one can become a part of it. He will inform based on the varied experiences of myself and others whilst advising those interested on the differing paths one can take into this particular side of the industry.

Tobias
Fouracre

Agnieszka Kowalewska-Skowron will talk about ANIMARKT Stop Motion Forum- event that has been taking place regularly since 2016. The only event of its kind in the world focuses on the most important problems and challenges associated with the production of stop motion animation.

Agnieszka
Kowalewska-Skowron

We would be looking at markets calendar that mark the potential progress of your project, idea and relationship, seeing the bigger picture of what happens where and what we can do to participate and benefit.

Jakub
Karwowski

Any process of the film is the most important. But development is the foundation of the project and the phase where you either get a chance to make the film or not. We will look at the presentation package in detail and with examples see how the communication tool that allows a film to get into production is structured and developed alongside the project.

Ole
Wendorff-Ostergaard

Every participant will have a chance to undergo a diagnosis of her/his work-related personality traits and competencies. The diagnosis will cover test-testing and Development Center-type (DC) social-psychological competency assessment. Between the sessions, the participants will work in a peer-coaching format. Three workshops following DC will focus on setting developmental and career-related goals, including compiling a professional portfolio. The PCDP will conclude with a one-on-one session to enable converting the diagnostic and workshop elements into clear further development agenda for every participant.

Olaf
Żylicz

This lecture will give an overview of the modern animation market and how it operates; paying particular attention to the stop-motion industry. It will explore the various routes to market – from commercials to shorts and features – and where to pitch them. Additionally, we will look at the current state of the industry, including: what projects are in production, where the majority are produced and why certain markets absorb more workers than others. We will conclude with advice on how to stay up to date with stop-motion opportunities and market news.

Aaron
Wood

Masterclass about Olivier Catherins background and what led him to develop a different way of conceiving his work as a producer. Olivier Catherin will explain how he works, how he chooses his projects, and how he function in his relationships with authors and production companies.

Olivier
Catherin

Discussion with Christophe Erbes about the animation industry and networking.

Christophe
Erbes

A journey to different kinds of creative processes of the short and series of the director, with tips and twists that helped to arrive at a personal vision.

Juan
Pablo Zaramella

During this conference, Benoît Polvêche will describe the manufacturing process of ball & sockets articulated metal armature, covering from the animation requirements to the technicals elaboration.

Benoît
Polvêche

During the lecture I will start by explaining my background and then I will show photos of different types of puppets from films I have worked on and detail the process. Students will be able to intervene and ask questions at any time. If there is time left, students who have specific issues by building they puppets can take the parts they already did and show me the problems they encountered and we can discuss them

Christine
Polis

How does the animation market work and how to navigate it? Where does the money for film production come from and who has the rights to the finished film? What should be kept in mind when looking for partners? The lecture will show the path of making a film from the business as well as distribution side and how those can influance creative decisions.

Agnieszka
Kowalewska-Skowron

Katarzyna
Gromadzka

We will take a look at the hierarchy of production positions in the animated film industry, especially from the perspective of independent European studios. We will take a closer look at the positions of producer, executive producer, line producer and associate producer. We will discuss the different roles and responsibilities and describe the required skills and qualities. We will also look at the topic from the creative team side to understand who the different creatives communicate with and how the production hierarchy supports their work.

Matija
Šturm

Josie Corben will run through the photos chatting about her role as a modelmaker (focusing on lead armature role on Isle of Dogs sets ) in stop motion animation.

Josie
Corben

Talk about the content and financing forum m:brane that was founded 2007 to promote content and financing of audio visual content for a young audience. All formats and all genres. Why do we need a forum like m:brane? What can you as professional filmmaker gain from participating at m:brane? Lennart Ström will also talk about how to Pitch, what kind of content they are looking for.

Lennart
Ström

Producer Becky Perryman will talk you through the work of world-renowned studios Passion Animation and Strange Beast. Passion is an Academy Award-winning independent production studio that creates and tells incredible stories. Home to a unique combination of the world’s leading animation and documentary filmmaking talent, Passion is committed to telling great stories with heart and soul. Passion has been behind some of the most well-known animated commercials and shorts, creating the iconic Aleksandr the Meerkat and the original virtual band Gorillaz. Since 2016, Strange Beast has held a gender-balanced roster of directors & crew across all its projects. It is currently the only gender-balanced production company in the UK. In this spirit of inclusivity and equality, it is also committed to fostering better representation & support for creatives from a marginalised backgrounds. As part of Strange Beats commitment, they create pathways through mentoring, portfolio reviews & career advice to people who may face socio-economic barriers into the industry. By engaging with talent from diverse & underrepresented backgrounds, we aim to build a more inclusive network within our studio and the wider animation community.

Becky
Perryman

Anthony Scott will talk about how he first got into stop motion, beginning with animating at an early age and how he has found hisway into the film business. Q & A to follow

Anthony
Scott

Ecological workshop for Puppet Makers group. Each of the groups will have their own ecological workshop separately.

Birgit
Heidsiek

Anika
Kruse

What is a business model? How to create a business model? How to evaluate your business? Business models in terms of Cambridge and Canva. What marketing, finance, logistics, key customers, partners do with business and have in common and how to combine them in business models?

Jakub
Gilge

Blockbuster and original animation – general differences and problems Idea and getting started Development – practical tips Main production and Post-production - crew and continuity, partners and co-producers Marketing and outcome – issues and problems during the project What to do better next time?

Kerdi
Oengo

Imagine the production of animation not only aimed at the creation of artistic animated works, but also within a process that brings a project from the small screen, or from the cinema, towards horizons of a commercial nature, both at a local and international level. What does matter and how to produce animation within this process entail? What are the mechanisms and with what potential consequences? And how crucial and important is the quality of the animation to create a successful property that goes beyond the world it originated from. We will explore together what this means, the process and some case histories.

Cristina
Angelucci

APA LAB Latin American Animation Project Development Lab, organized by APA, the Association of Animation Producers of Córdoba, taking place every December in the Quirino Cristiani Animation Production Center, Unquillo, Córdoba, Argentina. The event focuses on Latin American Animated TV Series and Short films, promoting development of projects in the early stage. APA LAB offers, during 5 days, competitive pitching sessions and personalized professional consulting for selected projects with the focus on script, art direction,direction and production, B2B meetings, reel days, conferences, workshops, master classes, case studies, networking cocktails and film screenings under the stars. The awarded projects get accreditations to international markets as MIFA, Animarkt, Quirino Awards among others, and also software and equipment awards. APA LAB objectives are to generate training and professionalization instances for creators and producers of animation contents; promote cultural policies through collaborative work with various national and international institutions for the promotion and projection of these contents; generate new audiences and engage them with regional, national and international animation productions; and promote the international mobility of artists and works to encourage collaboration between regions and countries.

Rosario
Carlino

This workshop will run take you through the final steps of making yourself ready to work in the animation industry. You will look at the things you need on your portfolio, how to present it, where to present it and the ways to encourage production companies or potential clients to want to work with you.

Becky
Perryman

Ecological workshop for Animators group. Each of the groups will have their own ecological workshop separately.

Birgit
Heidsiek

Anika
Kruse

PANGUR ANIMATION is a stop motion animation studio, was created in 2015 and it has done services for well-known brands such as: Hasbro, Warner, SYFY, Nestle, Sesame Street, Nickelodeon, Twitter, Green Mountain Energy, Earth’s Own or Tongal, and a wide kids production in YouTube. We worked at the Netflix tv series ‘Guardians of Justice’ where we were on charge of the stop motion animation. It has produced several short films such as: ‘Feardom’ (2017, Pablo Muñoz), and ‘Idle’ (2018, Pablo Muñoz); ‘The Inner Life’ (2021, Pablo Muñoz and Vicente Mallols) and ‘Becarias’ (Interns, currently in postproduction Marina Donderis, Núria Poveda and Marina Cortón). Currently, we’re in development of several projects and financing stage of a tv series.

Leticia
Montalvá Sánchez

The many types of roles and jobs within the industry. A brief history of my career path and it’s evolution. How over time your goals might change and how to adapt your skills and circumstances to roll with those changes and find your place in the industry. I’ll also touch on CV and showreel presentation, what employers might be looking for.

Simon
Quinn

The independant side of the industry has both its limitations and its freedoms that all determine the work of each department and individual involved. This lecture will cover basics of Art Director's and Art Department's work in indie stop-motion, including low-budget productions and students' shorts, starting from the visual concept of puppets and sets, through careful planning and construction process, to - finally - work on set and during post production period.

Agata
Gorządek

Ecological workshop for Production Managers group. Each of the groups will have their own ecological workshop separately.

Anika
Kruse

Birgit
Heidsiek

With this presentation I want to share my story: how I started doing stop-motion animation, how I co-founded a studio in Tbilisi, Georgia and how our small, but mighty team members are dealing with difficulties and challenges to make our dreams come true.

Ana
Chubinidze

For all professionals and teachers in the animation industry, this is the foremost event in terms of co-production, purchasing, selling, financing and distributing content for all broadcasting platforms. 37 years after its creation, the Mifa now welcomes more than 800 international exhibiting companies covering a surface area of more than 7,000m². Located at the Impérial Palace, it also benefits from an online presence since 2020 to encourage even more discussions between participants. The Mifa is also THE meeting place to discover new talents in animation and discuss about their inspirations and aspirations with them. The Mifa Pitches and Recruitment Sessions enable young creators and students to have a unique stage to connect with professionals and to cement their projects. Online formats are also proposed so that distance does not prevent new opportunities!

Véronique
Encrenaz

Stopmotion can be a lengthy and hard process, as well as expensive in resources and time. But I think it doesn't have to be. If we, as creators and artisans, change our perspective in our creative process we can put together a project that is inexpensive, with a fast paced and efficient pipeline that is both effective and compelling for the audience. We can build a methodology focused in sustainability from the perspective of the resources (time and materials) and, maybe most importantly, the emotional health of the team involved. I´ll tell you of my humble experience in directing, producing and animating stopmotion projects through social turmoil, economic crisis and a pandemic, and the perspective gained in ZANDER which we applied in our webseries PAJARONES.

Kike
Ortega

Ecological workshop for Art Directors group. Each of the groups will have their own ecological workshop separately.

Anika
Kruse

Birgit
Heidsiek

Meeting to talk about mold-making for workshops in November.

Magdalena
Bieszczak

Pitching workshop for Puppet Makers group. Each of the groups will have their own workshop separately.

Nik
Phelps

Pitching workshop for Art Directors group. Each of the groups will have their own workshop separately.

Nik
Phelps

Pitching workshop for Scriptwriters group. Each of the groups will have their own workshop separately.

Nik
Phelps

Pitching workshop for Animators group. Each of the groups will have their own workshop separately.

Nik
Phelps

Pitching workshop for Production Managers group. Each of the groups will have their own workshop separately.

Nik
Phelps

Each film is a result of the creative cooperation of many people, it is a co-authored work. The countless elements, often of a different nature, that each film consists of, make the acquisition of rights to the film, its exploitation and promotion often a huge financial and organizational challenge associated with a considerable legal risk. During the workshop, we will go step by step through the development process of an audiovisual project, from the idea to its execution, we will find a point where the protection begins and how to get it and strengthen it. We will try to name all the rights belonging to the creators and to describe the needs of each producer. We will discuss the possible compromise they must achieve to enable the safe and smooth realization of the project that will be the result of their joint efforts and talents.

Krzysztof
Czyżewski

In his lecture, Vladimír will briefly introduce the landscape of the contemporary European animation production and give insight into the process and sources of financing of animated feature films in Europe. He will also share his experience from the process of development, financing and production of the stopmotion feature film Even Mice Belong in Heaven, which was financed as a European coproduction of four countries.

Vladimír
Lhoták

Animating stop motion content can be hard and lengthy but writing scripts for it doesn’t have to be! In this workshop we’ll discuss techniques and exercise our imagination to develop screenplays with consideration for the production requests and restrictions of stop motion animation.

Constanza
Luzoro

"Pinocchio" presentation conducted by Melanie Coombs

Melanie
Coombs